Stuck with difficult clients who don’t align with Your design vision

Unsure how to attract the dream Clients  

Confused about what needs to change in your photoshoots to attract your dream clients  

Three tablet screens displaying a website titled "Shoot to Pitch: A Step-by-Step Guide for Interior Photographers" by Jeff Jones Studio, with the main screen showing the cover page in a reddish background, and the other screens showing interior images and other pages of the guide.
Jeff Jones of Jeff Jones Photography is working with a professional video camera mounted on a tripod in a black and white setting.
A printed photography shot and shoot checklist including a timeline with tasks for 1-2 months before shoot, 2-3 weeks before shoot, and 1 week before shoot, as well as day before shoot and post-shoot tasks. It also has a section for additional notes and dates.

Here’s the simple step-by-step system to get images that land press, win dream clients, and grow your design business—every single shoot.

A man in a black shirt sitting on a sofa, reaching for a plate on a round coffee table with books and decorative objects, in a room with a large window.

Let’s be honest…

You spend thousands on photoshoots. You walk away with a file folder full of nice shots—
But later, you realize none of them actually help your business.

Sites look patchy. Press passes you by. And those big, portfolio-ready moments? Missed again.

It’s not your fault.
Most designers never learn how to plan a shoot with real strategy.
They hope the photographer “just gets it.”
But hope isn’t a plan. And this mistake is costing you opportunities, money, and the spotlight your work deserves.

Let me show you a better way.
One that finally puts you in control—before, during, and after your next photoshoot.

Why talented designers still feel invisible…

From Invisible to In Demand

Many interior designers don’t struggle because their work isn’t good enough.
They struggle because their work isn’t being positioned clearly.

Before working strategically with photography, designers often feel:

  • Stuck with difficult clients who don’t align with their design vision  

  • Feeling burned out and uninspired by their projects  

  • Frustrated that their brand doesn’t reflect the caliber of their design work  

  • Landing large projects with small budgets  

  • Watching competitors attract press and dream clients while they feel invisible  

  • Believing press exposure is out of reach  

  • Unsure how to attract the right audience  

  • Doing work that feels below their potential  

  • Confused about what needs to change to get noticed  

  • Lacking the confidence that their portfolio will open doors

This isn’t a talent problem.
It’s a strategy gap.

What’s Actually Working Against You

Overpriced PR and marketing agencies that feel out of reach

  1. Industry pressure to “fix” the business with more coaching instead of real visibility

  2. A crowded market where designers are encouraged to look and sound the same

  3. The myth that exposure only comes through expensive representation

  4. Photography that looks beautiful — but lacks strategy, story, or purpose


Trusted by Leading Interior Designers and Featured in Top Publications


Architectural Digest magazine logo in black and white
Interior Design brand logo in black and white
Siete brand logo in black and white
House Beautiful brand logo in black and white
Domino brand logo in black and white
My Domaine brand logo in black and white
Luxe Interior Design brand logo in black and white
Southern Living brand logo in black and white
VERANDA BLACK LOGO
MAGNOLIA NETWORK
Harper Collins brand logo in black and white
Magnolia brand logo in black and white
DWELL BLACK LOGO
COUNTRY LIVING BLACK LOGO

What Changes When Photography Becomes Strategic

Their work is photographed in a way that communicates their true brand

  1. They attract clients who value their design vision

  2. Press features elevate credibility and visibility

  3. A portfolio they’re finally proud to share

  4. Confidence in how their brand shows up publicly

  5. Images used intentionally across marketing and social

  6. Clear differentiation in a crowded industry

  7. Better-budget projects aligned with their expertise

  8. Recognition as a specialist in their design niche

  9. Renewed excitement and purpose in their creative work

A black and white portrait of a man with a serious expression, short hair, and a beard, wearing a dark button-up shirt, sitting against a plain wall.

Why I Created Shoot to Pitch: From Wasted Shoots to Winning Features

When I started out, I did what everyone does.

Book the best photographer I could afford. Trust they'd capture “the magic.”

But magic never just happens.

I’d be left sifting through hundreds of nice—but random—images, none that fit a magazine spread or a project pitch.

Reshoots drained my budget and my energy.

Worse, my best work stayed invisible.

So I built a system for myself—a checklist, a plan, a process.

I tested it. Refined it. Started landing press features. My brand grew fast.

Shoot to Pitch is that hard-won blueprint, made simple.

If you’re tired of wasting time and money on shoots—this is for you.

Never Regret a Shoot Again: Here’s What Goes Right With Shoot to Pitch

You walk in with total clarity. No more crossing your fingers. You’ll know exactly what shots matter.

  • You nail your story, not just your space. Each image has a purpose—website, press, portfolio, or client pitch.

  • You finally speak ‘photographer.’ No more awkward, “Umm, can we try… maybe over there?” Just direct, clear, on-target communication.

  • No more missed shots. No more reshoots. No more wasted dollars.

  • Get magazine-ready images—every time. And yes, that means WAY more visibility.

Picture this:
Your inbox lights up with feature requests.
Dream clients say, “I saw you everywhere—how soon can we work together?”
You feel proud and confident, knowing every shoot multiplies your brand—not just your photo folder.

This is where Shoot to Pitch is different.

Most photographers show up and shoot.

Shoot to Pitch is built on a different approach — transforming photography from “just another shoot” into strategic storytelling. Every image is intentional, press-aware, and designed to support long-term visibility, not just likes.

At Jeff Jones Photography, we help interior designers move from frustration and invisibility to recognition and opportunity by transforming every photography session into a strategic storytelling experience — designed to sell their aesthetic, attract dream clients, and earn press-ready exposure.

Most photographers just show up and shoot — we build stories that open doors. By blending editorial vision with brand strategy, Jeff Jones Photography helps designers amplify their voice and showcase the kind of work they want to be known for. Because powerful storytelling isn’t just beautiful — it’s what gets you seen.



A man with a mustache and glasses, in black and white, is adjusting a camera mounted on a tripod.

Here’s What You Get (Worth Over $600, Yours for $147)

Step-by-step video blueprint (Value $297)
Watch, follow, apply—no confusion.

  • Strategic shot list guidance (Value $97)
    Plan only what counts.

  • Editorial story angle coaching (Value $87)
    Make your work irresistible to press.

  • Shoot prep checklists (Value $67)
    Miss nothing, stress less.

  • Image use gameplan (Value $57)
    Don’t just get images—get results.

  • Bonus: Press pitch email template (Value $27)
    Land your next feature faster.

  • Bonus: Client shoot prep handout (Value $27)
    Your clients will thank you—and refer you more.

Total Value: $662
Today: One payment of $147. Lifetime access. Instant start.

“But I’m Not a Photographer…” And Other Worries, Gone

Objection: “Will my photographer push back?”
Truth: Most pros love a clear plan. It makes their job easier and the results better.

Objection: “I’ve tried shot lists before. Didn’t help.”
Truth: It’s not about a list. It’s about the story you plan for, before the camera comes out.

Objection: “What if I’m not creative?”
Truth: You don’t need to be a camera pro. You just need to know what matters, and this guide makes it easy.

Designer Results:

“After Shoot to Pitch, my projects finally got published. I never waste money or feel lost on shoot day again.”
— Lisa K., Interior Designer

What Others are Saying...

“Working with Jeff has been one of the best investments I’ve made for my business. His eye for styling, calm energy on shoot day, and editorial approach helped my work get featured in my target publications. He makes the process seamless and enjoyable—and the visibility from our shoots has directly led to client growth over the last six years. He genuinely wants the best for his clients and I value his genuine, kind disposition."
Whitney Walker
Principle Designer at Farrington Lane
A woman with glasses and wavy brown hair standing next to a black fireplace with a woman-shaped black and white striped art piece above it, in a well-decorated living room with a floral area rug, a gray sofa with patterned pillows, and a vase of purple tulips on a wooden coffee table.
“I’ve been working with Jeff for six years, and after working with other photographers, I now understand what a difference the right person behind the lens makes. Before Jeff, the photos were fine—but they didn’t capture the soul of my work. Jeff takes the time to understand the intention behind every project and translate that into storytelling imagery. He’s a true pro: collaborative, calm, and easy to work with. From planning to final edits, he makes the process seamless. It always feels like I’m working with a creative partner—not just a photographer.”
Kate Bendewold
Priniciple Designer at Kate Bendewold
A woman with shoulder-length brown hair wearing a leopard print sweater and hoop earrings, smiling in an indoor setting with floral art and office supplies in the background.
“We loved working with Jeff on the photography of residential projects. He approaches his work and photography with a very artistic and creative eye, but is also not only delightful, but also very quick and efficient.” 
Mark Sikes
Principle Designer at Mark Sikes Interiors
A man standing in front of a decorative fireplace with blue and white wallpaper, large mirror, and ornate gold frame, surrounded by blue sofas and chairs, with yellow flowers in a basket beneath the fireplace.

Don’t Let Your Next Photoshoot End Up in the ‘Nice But Not Useful’ Bin

One missed photo could cost you a year’s worth of press, partnerships, and projects.
For less than the price of a reshoot—you can lock in your first shoot that actually works for you, not against you.

Act fast: Each day without a plan is another day your work stays hidden.
Click below and take back control—risk free.

Ready to finally make every photo shoot count?

Click the button above. Next shoot, you’ll know you made the smartest move in your design career.